Fandom Communication And Participatory Culture In Digital Platforms: A Systematic Literature Review
DOI:
https://doi.org/10.18326/inject.v11i2.7131Keywords:
informal fandom, participatory culture, platformed fandom, fan labor, interdisciplinary communication, Systematic Literature ReviewAbstract
This study aims to examine informal fandom as a form of interdisciplinary communication within digital media, synthesizing how participatory culture and platform-mediated fan practices have been conceptualized across the academic literature. The findings benefit scholars in communication science, media studies, and platform studies by providing an integrated analytical framework that bridges participatory culture theory, audience studies, and digital media research. This study employed a qualitative Systematic Literature Review method using three Boolean search strings on the Scopus database, limited to English-language peer-reviewed articles published between 2015 and 2026. Following PRISMA-based screening, 40 articles were included in the final thematic synthesis. Four analytical themes were identified: communicative community formation in digital fandom, participatory fan production as audience communication practice, platformed fan communication and digital labor, and contestation as communicative authority negotiation. A key tension identified is the contradiction between participatory communicative agency and platform power, including algorithmic visibility, datafication, and commercialization of fan communication. This review positions informal fandom as an analytical bridge within interdisciplinary communication scholarship, linking participatory culture theory, audience studies, and platform-mediated communicative practices. The findings contribute operational indicators for future empirical research on informal fandom, including loose affiliation, repeated digital interaction, affective attachment, platform-mediated visibility, participatory production, and symbolic meaning-making as measurable dimensions of audience communication in digital platforms.
References
Ahn, S., & Roy, R. K. (2026). Introduction: Homo Connectus and Fandom Activism: Fansumers as Cultural Transmitters. Kritika Kultura, 1(49), 10.
Aromataris, E., Lockwood, C., Porritt, K., Pilla, B., & Jordan, Z. (2024). JBI Manual for Evidence Synthesis. JBI. https://doi.org/10.46658/JBIMES-24-01
Baker, C. (2022). Creating virtual homes during COVID-19:# HomemadeDisney and theme park fandom’s response to crisis. Popular Communication, 20(4), 260–273.
Barnes, R., & Middlemost, R. (2022). Hey! Mr. Prime Minister!”: The Simpsons against the liberals, anti-fandom, and the “politics of Against. American Behavioral Scientist, 66(8), 1123–1151.
Baruch, F. (2021). Transnational fandom: Creating alternative values and new identities through digital labor. Television & New Media, 22(6), 687–702.
Bury, R. (2017). Technology, fandom, and community in the second media age. Convergence: The International Journal of Research into New Media Technologies, 23(6), 627–642. https://doi.org/10.1177/1354856516648084
Cho, M. (2022). BTS for BLM: K-pop, race, and transcultural fandom. Celebrity Studies, 13(2), 270–279.
Cui, D., & Wu, F. (2025). Toward an operationality perspective on fandom: Exploring Chinese fans’ emerging practices in platform-mediated environments. New Media and Society, 27(9), 5180–5200. Scopus. https://doi.org/10.1177/14614448241249134
Driessen, S., Jones, B., & Litherland, B. (2024). From fan citizenship to ‘fanspiracies’: Politics and participatory cultures in times of crisis? Convergence: The International Journal of Research into New Media Technologies, 30(1), 304–312. https://doi.org/10.1177/13548565241236005
Han, X., & Zhu, S. (2026). Strategic nationalism in transnational fandom: Comparing Chinese fans of South Korean politicians and pop idols. Emerging Media, 4(1), 172–192.
Jang, H. (2022). Pandemic to" Fandomic:" The Revival of Fandom Publics in the Digital Space of Latin American K-Pop Fandom. Seoul Journal of Korean Studies, 35(1), 29–50.
Jaworowicz-Zimny, A. (2025). (Trans) national digital fandom: Online engagement of Japanese Crash Landing on You fans during the COVID-19 pandemic. East Asian Journal of Popular Culture, 11(1), 97–114.
Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.
Jenkins, H., Ito, M., & Boyd, D. (2016). Participatory Culture in a Networked Era.
Kang, J., Kim, J., Yang, M., Park, E., Ko, M., Lee, M., & Han, J. (2022). Behind the scenes of K-pop fandom: Unveiling the K-pop fandom collaboration network. Quality & Quantity, 56(3), 1481–1502.
Kim, H. J. (2021). K-pop beyond the lockdown: Fandom, participation, and experiencing community online. Perfect Beat, 22(2). Scopus. https://doi.org/10.1558/PRBT.19303
Kim, J. O. (2021). BTS as a method: A counter-hegemonic culture in the network society. Media, Culture & Society, 43(6), 1061–1077. https://doi.org/10.1177/0163443720986029
Li, W., Wu, Y., & Wu, J. (2025). Fandom philanthropy in the social media era: The role of online social interactions, group identification, and peer influence in collective action. Emerging Media, 3(4), 601–620.
Liao, X., Koo, A. Z.-X., & Rojas, H. (2022). Fandom nationalism in China: The effects of idol adoration and online fan community engagement. Chinese Journal of Communication, 15(4), 558–581.
Luo, Z., & Li, M. (2024). Participatory censorship: How online fandom communities facilitate authoritarian rule. New Media & Society, 26(7), 4236–4254.
Maulina, N., Wahyu Izzati Surya, Y., & Wibawa, S. (2025). Urban Indonesian Women and Fandom Identity in K-drama Fans on Social Media. Open Cultural Studies, 9(1), 20250058.
McInroy, L. B., & Craig, S. L. (2018). Online fandom, identity milestones, and self-identification of sexual/gender minority youth. Journal of LGBT Youth, 15(3), 179–196.
McInroy, L. B., & Craig, S. L. (2020). “It’s like a safe haven fantasy world”: Online fandom communities and the identity development activities of sexual and gender minority youth. Psychology of Popular Media, 9(2), 236.
Min, W., Jin, D. Y., & Han, B. (2019). Transcultural fandom of the Korean Wave in Latin America: Through the lens of cultural intimacy and affinity space. Media, Culture & Society, 41(5), 604–619.
Munn, Z., Stern, C., Aromataris, E., Lockwood, C., & Jordan, Z. (2018). What kind of systematic review should I conduct? A proposed typology and guidance for systematic reviewers in the medical and health sciences. BMC Medical Research Methodology, 18(1), 5.
Oh, I., Seol, D.-H., & Hwang, H. (2026). South Korea or bust: From fan nationalism to pop culture migration through new media. Emerging Media, 4(1), 102–128.
Petersen, L. N., Reinhard, C. D., Dannar, A., & Le Clue, N. (2024). New territories for fan studies: The insurrection, QAnon, Donald Trump and fandom. Convergence, 30(1), 313–328.
Phoborisut, P., & Park, J. (2024). K-Pop Fandom and Political Activism in Thailand’s 2020 Student Uprising. International Journal of Communication (19328036), 18.
Pulvera, D. M. (2021). Filipino BIGBANG fandom: A textual analysis of online fandom community activities. Media Asia, 48(4), 271–294. Scopus. https://doi.org/10.1080/01296612.2021.1959704
Ravell, H. (2023). # RIPJKRowling: A tale of a fandom, Twitter, and a haunting author who refuses to die. Public Relations Inquiry, 12(3), 239–270.
Saiyinjiya, A., Gu, Y., Lei, Y., Meng, X., & Literat, I. (2025). Bringing #LinaBell to life online: A case study in the creative and collaborative dynamics of Chinese online fandom. Media, Culture and Society, 47(4), 660–679. Scopus. https://doi.org/10.1177/01634437241301615
Shafirova, L., & Kumpulainen, K. (2021). Online collaboration and identity work in a brony fandom: Constructing a dialogic space in a fan translation project. E-Learning and Digital Media, 18(3), 269–289.
Shahin, S., & Hou, M. (2025). # StopAsianHate as hashtag activism: Provocateurs, celebrities, and fan practices of collective action against racism. Social Media+ Society, 11(1), 20563051241309701.
Song, C. (2023). Digital Truth-Making Among the New Chinese Online Fandom Nationalists: Between Online Popular Culture and Political Participation. Ethnologia Europaea, 53(2), 71–96.
Thomas, J., & Harden, A. (2008). Methods for the thematic synthesis of qualitative research in systematic reviews. BMC Medical Research Methodology, 8(1), 45. https://doi.org/10.1186/1471-2288-8-45
Vizcaíno-Verdú, A., & Contreras-Pulido, P. (2024). Cross-platform hatedom: Influencers’ strategies for managing affective aversion.
Wang, E. N. (2024). Participatory Censorship With Illusory Empowerment: Algorithmic Folklore and Interpretive Labor beyond Fandom. Social Media + Society, 10(4), 20563051241295800. https://doi.org/10.1177/20563051241295800
Wang, Y., & Tan, J. (2023). Participatory Censorship and Digital Queer Fandom: The Commercialization of Boys’ Love Culture in China. International Journal of Communication, 17, 2554–2572. Scopus.
Whiteside, A. (2024). Fandom and argumentation in the social media era: Taylor Swift fans and the rhetoric of Easter egg hunts. Argumentation and Advocacy, 60(2), 119–136. Scopus. https://doi.org/10.1080/10511431.2024.2432172
Xiao, Y., & Ahadzadeh, A. (2024). Inspiring Contributions: Fan Leaders’ Directives and Encouragement in the Chinese Online Celebrity Fan Community. Preservation, Digital Technology & Culture, 53(4), 201–213.
Xie, Z., Yin, Y., & Ni, M. (2025). Materializing storyworld, battles of transmedia storytelling: Trans-fandom cultures of The King’s Avatar on Chinese social media platform. International Journal of Cultural Studies, 28(2), 497–519. Scopus. https://doi.org/10.1177/13678779241285448
Yang, T., Zhu, G., & Wu, F. (2024). Participate in Philanthropy for Idols or Society? Fans’ Social Media Practices, Dual Identity, and Civic Engagement in Chinese Online Fandom. Social Media + Society, 10(2), 20563051241261290. https://doi.org/10.1177/20563051241261290
Yin, Y. (2021). “My baby should feel no wronged!”: Digital fandoms and emotional capitalism in China. Global Media and China, 6(4), 460–475. https://doi.org/10.1177/20594364211041681
Yin, Y., & Xie, Z. (2024). Playing platformized language games: Social media logic and the mutation of participatory cultures in Chinese online fandom. New Media and Society, 26(2), 619–641. Scopus. https://doi.org/10.1177/14614448211059489
Zhang, L.-T. (2025). From subculture to mainstream: Nostalgia, criticism and negotiation in a fan community. Convergence, 31(4), 1366–1382. Scopus. https://doi.org/10.1177/13548565241256563
Zhao, Y. (2026). Gamification, metrification and data fans in China: From lovebour to playbour. The Sociological Review, 74(3), 453–472.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 INJECT (Interdisciplinary Journal of Communication)

This work is licensed under a Creative Commons Attribution 4.0 International License.




